卧龙 战警

剧情简介

Having witne`ss;#. e*d his ;\_ju:!nkie fat^\her ki#;ll=ed Rus-s\ell Stev[.e;ns grows up to become a p_+oliceman an%d? make a difference. When+ he %=/is offered an undercover job by Gera;l#=d$[]) Carver)-*( he ac #ce!pts a#nd ^/begins t )o.+[ build( a relation$;^ship with;) David Jaso@ .n i[n orde=?r= to get to# @ the main ,dealers. ]However as :\he is f\orc]ed, to deal drugs( ! and ^kill to keep his cover h(/e^` finds the lin)\,es- betw%een c,op and,^ c!rimina[l being l([os)/?t – is \),h/e a cop ?]prete]]$nd*ing to be a de;al )er or a dealer pr^ etending to b $e - a co/p　　Larry (a!s he was? *(then) Fis\@hb( `+urn(e's first lead role was@= a *)typ .@ically /dar@[k vehicle. The st%(ory is the usua,=l  one]? of cop lo!(@sing
himse lf when u!@n(%d \^er)co ,.ve-,r, however it *
manag^,^es to be more than .`that 
for mo_st of the ti=?me. Co-wr=#?itt`en_@ b-?#y Tolk+?/;in, \!who wrot*e The Player, th
is[; naturally has a nice_ cynical!+ edge to it when it loo
+ks at t%\he U%S's hy@%pocritica^l.=# ap\:?#pro]a?_ch )[to dr%]ug 
?contro(.l? and ^the political lin\+:]ks between th%@ e stre$et* *$ hustl[:.;ers #and the \=political h-igh roller s who court respectability. The story doe
s eventual=+
ly settle int+[/o,[ a traditio, n^,a
;l setting but ev$ -en? \then it work=-s wel#l as!\ a thri,);ller.　\　T# .?h@e multi-talente[%d-+^[ Bill Duke
%? d#; ir$,_!ec+ ;ts !`well* with## a gri\
t)^ty feel and \(, a few ni%ce touches.)^ However @se. veral things + $are a\] \bit iffy. F.or @;mos\)t of the f ilm Fishburn-e's narr.ati onv]oice over is a bit like `^ a[ cross b#etween Apoc !aly`*pse No w a#+!nd Bl@ade Runner – it .co-mes?[ acr)/,!os?#?s as a` little too \,da.rk and heavy and also@= ex?plains things like ,^[ we can't *fi!]+gure it out ourselves. H=*owever ,once you \get in]`to the film it's not as / big\ @a deal. My main pro@_;blem lies with th# ?e c!?haracters.　　Fis
[hburn-)$e ?is excellent, a real model of underlying ange(_r and vi`[
ol(ence^,??$ G?^:oldblum is good 
$but perh \^aps a littl-]e* OTT o$n the yupp%ieviolence thing, b#ut there's ;(\good s,upp_-(ort fr(:om Smith and ?;Spin C-ity's beaut:)[iful (an##!d oft??
en under_use!% d – but_ not h$@]e?re),/ / Victoria@. ]Dil\`_l)
;ard. However the two  main white @;*@characters] (Goldblum [and Sm(ith) are both smeared wi- th racist i @nsinu?ations – Smith.% . @ *]appears$@ to  insu:[lt [his b- -lack officers and d.$o*)e/$+sn't /,care abo -ut the j u!nkies, ;while Gol^.)[,d;blum +$is fascinated ab+;out all things %
black a?/nd talks a,=bout them as_[ wild beautif!-,ul beasts a^/
nd loves having,?#; sex :;w]@ith black'. These th;\in ])gs aren'#[t a maj.,@or problem, but with bas\_ical,$$ly on@l/=.+)y\$ two white ]char-acter:#.s i(n it_,, ,[:it's a) li /+ttle worrying that bot^%h are give(;]n tha;-t edge.　　However these are minor comp(-@laints that get_ lost with a_! _
goo?d th ril+ )ler. Fishb=#urne ex(cel@=s and D uke ? del[$iv__ers a s,?t$+ory that/ is a g )ood t(\hril,l[(er but 
;] also has *a j[$#aded,@ subversive edge.