难以*]@置信的事实

剧情简介

Frau,(gh +.t with over obv,\ious symbol)ism, Hartley's early feature is nonetheless[ _?^a joy  +to watch. Hal )@here show-+s _us hi-
)*,s unc) [+anny ]ability to cas)+- t his *#[ char acters pe/;rfectly came ea$
#r]: ly -#(in his career=.　　A$![drienne Sh#e%+_lley is a near /per*^fect f]#oil to:!; herself,  equal`! [ parts annoying] ^ teen
= b*urgeoning in her sexualit*y (though usi.ng sex for several years); ob\@s(!es]#)sed ` with doom and inspired b\y idealism gone wrong \she is dece/pt,iv$e+*l ;y – a -nd _simu!((lt =an@eously – c%omplex and sim `pl_(e. Her* A[; !u:[]dr,-ey inspires so many-,) levels of ;%.symbol@@ism  =$it is al most embarrassin\=gly rich^ (::e.g.,  her mo@@del\?-:ing career beg(inn (ing with)+] photos of her fo*\o]t – 
*^cu,$lminating :her doi!ng nu/de (but !@+unsee]+n) work; Manhattan m/ove; Europe tr@/@ip; _he
@r stealin?^_g, then sleeping w-ith the mechanics @wr$#ench!, et:c.)　　As Josh`, @.!Robert B
urke gives an a_)bsolutel:;`,y ma
:st$:erfu/ l perform(ance. A r$/eformed p(ri;]sonerpenitent he_ return^s to his 
ho_me town to%^ fac e do??w n , past # demons, accept+_^; his lot an?#d [
]beg]_in a new life. Dressed in
^ b$].lac/k, and repeatedly, mistaken for a pries+=t, \? !he corrects ,everyone (I'm _#(a mechanic,), yet t=@h
?e sy%!].mbo`
,lism@ is r.]*ich he-= abst)a ins from alcoh);ol, he pract:ices cel #i
bacy (is, in=  f-]act a!+ virgin)), and! se
em*i?`ngly has t
#)+aken on_  vow,s)% of poverty, and hu` mility as w[ell. The  humility seems `]hardest to swallow seemi:ng, at ti*/m__es, -alm`[ost false, ^a pr.,et  e+nse. Yet, as w .e le;-;arn more of^` ^%Josh^# w)^e (: see genuineness in
`his modesty, that his humility i,.(s` indeed earne[st  and ?; :believabl#e.( W;,$@h *at ( seems@% i
ron/ ic is*
t*.\he characte=r is ^fairly forthright`%
in his ^ s`:!implici^!t)]y, y@et,
 so ric`#hly d `raw=:n it becomes the v%^ie=wer who wants to make hi m `out as _$ more than what he act
uall?@y is. A[: fa`#scinatingly wri[)$tt$(en c
$ha]rac+:)t$er, perfectly played#.　　The /sce @n%*e !,between Jo:+;sh and Jane (a won^%.#derful, yo/^ung Edie ] Fal\%co . . . You need`)# ]!)]a woman not )(\a girl) is% hila#)rious.# . . . rea=l. But Hartle
]y can);'t` lea\*v%+e it as;? such and $*his trick, having the actors r _*epeat the dial^(ogue$-#
 over-and-over  becomes frustra.=-tingly  arty /#and annoyi\ ng . . . un)t-il agai=#
n it ;)beco$^me$]s hilari=?$ous. What # a=? terrific; # sense of bi!^zarre real^ ity this lends the film = :(like k#;ids@ in a perpet+=ual am nota=;re too argume%\[_nt).　　Har/;%=tley's weav:es all% / of/ #
?a(! small ne?-,igh-(borho]od's idiosync
+_rasies i%[nto a;\` $tap`estr?y o(f s-eeming stereotypes but which delves-, far[!] beneath t]+h.,e- surface, the cata/lyst being that everyo.#ne/# bel!`ieves the y know w=h.
at the unbeli*[ev,$\]able trut](h ]of th*;=e ti!.tle i()s, yet no tw_
o peopl] ,!e can
[ agree (including o*/u% \ r hero) on wh )@at) exact#ly [that= trut!`h/ i_s.+` A w/onder_ful littl)e movie with* so.me big ideas.