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In 1965,[.@ :** )Bob* `Crane, who had achieved some earlier success\) [as a te]levision[ sup+@;port-%[in@^g) actor? (, w a,.s wor@@+king as([ a succes@sful morning r/= adio : #DJ at KNX Los Angeles. Despite enj[=oying /#$his %$;wor:(+)k, photography _(e specially o=!f :.the female form) a#nd dru!mmin;g, Cra`: ne want `ed%? to ^%@be a movie star. So it was with some] :reluctance that he? ]^accepted the t;itl=e sta[[rring role`\ in a new te _`l ev+:ision[, sitc.+:.om calle]d + H_o#/$gan's Heroes)$ (196?5), a]) WWII POW co;!medy. To his su%)r p _ris*_e, the /show became *.=a h$it and ca?tapulte#[d,+; hi++#m to _,te]/`l !$evision( \@sta: (r_*: dom. The fame re#sulting fro+-;;m the sh)(ow le\+`d to excesses ?and a meet ,^ing with home video s\]/alesman an_,d tec ?hnician Jo_*,hn Carpent:;er, with who he would f)@orm a f`/riendshi!`p based on their mutua=/l interests, namely excessive s`?-ex (fo@r Cran#_^e%_, purely heterosexual sex) and cap#turi.ng[ ;^. n:.=#ude females)_ *on cellu%;loid. His fame allow^!^e`!d C- rane to hav!`e a: _s m`uch sex as he$, wanted, wh:ich was inc\@_ong ruent to his ( s`o : mewhat whole!;some telev(\isi()on fri^/ _endly image,\, and the_ + way he portrayed himself to alm .o#^st )-\]e] [)veryone e$#xcept ^`;C; /+ar _penter and*. h?is...