红花 之歌

剧情简介

“Sangen % Om-; Den$. Eldröda Blomman” ( “S,ong Of Th e\(*\ Scarlet Flow er” ) w$@as a recent and rem# arkable [,!silent surpris-e f^or )t:
his @Herr V / on; : the oeuv
(re i_)s an excellent #%Herr : Stiller \si ?lent film t%_h;*(at this German coun^t wat)c hed i)!n a newl*@y restored and +*tinted c+[opy. ; It co
*mbines the well-know] #n aesthe$ tics, t$\ech$nical improv^!?ements and a_ rtisti`c merits for -+which,) the N,+..o,rdi[c di ^/
r!ector was] known and p% raised since those early- s.$\i$` lent t ]imes till today.　　The f,^ilm= tel`+ls o[/f the mer`[=ry: and carefree lov.e life $of )%?young Ol#*[)o[]f
]) =
(!+ Her^-+^r La%@@[r)#s H)`anso(;^:n,  *)$. a\*[+ woodsman who during h\]%is search fo_r true[* love, seduc)`es^]; many@[ frauleins:! ( j ust like this Ge=rman ari)/stoc=,r(@at… well, \`$not ex\ac
tly  be?;cause the purpose) of this /)Herr/ Von’s)^ sed#?-ucti\^?on of rich fräu-=lein heiresses are their great .^$fort,unes… ). H)%e? wil ./l suff[er disapp;:/ointment and dec]$ep=`ti#on,.^ 
all tho_].se probl ems @,t:*+.hat turn up. in any lo([
vi ([ng rela)(ti?+o:n,@ship..: Finall+-\y* +/h)
e will find ,``r%.espo +%nsibility and mat ?urity+]_, (lea*)rning during his ;
[p*articul^ar ques` [t
 t =hat hi^\s a\ctio%,ns a =lways have co([`nsequences in differen^ t degrees t [o the pe-ople ar ou.
nd him. Thi.s`! \/Herr; V on can des(cri:;b: ,e “San $`-gen Om…” =_ @as a kind of coming o@f age film, th;*,e _()spec]=ial intros( -.,p\/^ective growth toward m?*aturity of a free a/:!nd easy_ youngster.　　As this G-(^erman coun`^t said before=%, the film disp#
lays Stiller’s cha*@racteris^tic arti; stic vi)/*rtues. (*); in the first pa:(;rt: of =t=he fi\)l:!m, we ca@/@.,n see elements of com-`edy, not  exactly like th[e comedy of intrig)_ues in\ o)=)ther Sti ller films, but humor =
of a mo^re\^ cheerfu`_+l ^
so rt, highlighti;/ng

 the
^ self-inv$?olvem[ ent o:==f our he[r+o. Olof ‘s fr`i ` volo# u@ @ s flir tatio?ns with the _/di fferent girls ev: entually turn romant`ic and the-:`n turn into dra:ma. There is conf. )lic)t in t%=he \\troubled relationship bet/ (wee+n Olo@]f and`%(_ his* father and la
ter with the

father .^ $of his bel-o%ved. The
beautiful and wi)ld natural `;land]scap%es of Norrland and northern Swed,^+en, ! le._-!nd the ?. tale_ a certain  pow /;er and is charact@ ``eristic ,of Her)%r Stiller’s o`ther 
silents@] w`(here Natur*e emerges as a%n impo_-rtant character in t@):he  +,story(). This is strong*%^ly 
[:reflected throughout the]\ fil\m but=?- esp^:/?ecially du/^ring the ; +frantic scene ;wherein Olof d`escend#[,s in--:t=`^o the;/? tro*?ubled w\:aters of%  a r`iv=@er,/ a bea!#ut@@i %ful metaphor -f or the hardships that o[`@u?!
r hero has to !endure until -[he finds him!
self.　　“Sange-[n ]Om Den Eldröd+^:a[ Blomman” i+@s an excellent;[(, beautiful film, a solid, tech$(nica-.lly perfect an #d intricat]\e productio;+n of 19 1 (9 that demonst^rates onc_e a* \ gain the  importance of Her #^r Stil:$le#r fo(]`/r s-+?i#lent =$fil^m histo[]ry.