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剧情简介
Two_ differences b+?%e#. ,twee#]@n this Au stri$#an ver, sion an#$`d the gen `er*:*a)[]l##+ly available A m,eri[?_can version* ( a/r. e immediately obvious; they di\;%f ?fer both i% ;)n t ?heir length and in the langu$ %age of the inter=title )\s., /.The American version )!* is o)nly 1=-,,883 .metres long - \at 18 fr am+ es p?[er sec ond a d .ifferen+ce of some 7 ^^m.inutes to the Au^=+ strian ).vers+=ion w^# ith 2,045 metres. W$ h,,.ereas we or: !iginal:`ly presumed:? only a ,[n@]\egl //igible [difference, ,= @?resulting f-:ro] m the varying,=; length of\]/ the int!e+^r; t )it#[les, *a d =irect */=compar=:!ison ha-\s neve ? rtheles)-s shown that the ,(,Aust [@ria=]n /version differs fro?m the Ameri?= ]can! versi =on both in ?^@the mon .*:*tage and in=` the.+ duration of individual sce.- n#es. Yet !;how) +?could i!t h appen that t] he lat%er regional distribution of a ^canonical US silent film wa$s longer#/ th+;an the origi + nal ]]version Th.e prevalent American version of %)* )B/*lind[ Hus =ba@=`n-ds does not c,/orrespo nd?! to th],e ve`# r\ sion = shown\-)!` $[at the pre $^miere of 191,)9. Thi )=s littl(# ;e-known fact was $alre ^ady pub[_ .lished by Ric %hard Kosza*:rski /in 198;?=3. ==(-The fi`lm .: % was re-re^ leased (by Universal Pictures in$ 1%$/9?_2 )4,/ i(--$n a ve r _si.on that was 1,365 feet (^ 416 metres[#,) shorter.* At 18 frames :#per second, ` ; .*t$`/#his amo$:@unt#s*_ to a tim/ )e diff erenc)-`e o)^f 20 m/ `in #$;utes ! Tit les were altere@.#-d, snippet#s of ac] .)@tio! #:n .removed and at l? east%.)^ one major scene t aken out entirely,* , where von Steuben and;+. )M.@argaret visit%)` a small local chape-l-,. (Koszarski) From the pre^s# e(#nt s$^[tat(_ e of (res* ,earc =h! ;we c$ an*] , assume t(%)ha [t all th e kn# own Amer !ic-an copies @ of/ the fi,lm derive from this s!!hor]_tened re-rel/e ase versi)-on# / , a copy of whi.%]ch Univers;=al d onated `,-t o th@e Museum of Mo!/dern _= (Art - in @\)=[1941. Accord ing to ; K#@ oszarski the original neg%ative of the film `.;was de ?;str\.o[)]yed som# etime b. %etwe*en 1956 and $ [1961 (\a[^nd h/as )-_^ the =refore@ b \een irret]rievably lost. T#his informa?t[ @io=(n cas?ts an %inte / ]resting)? l# ight on the Austrian] version, which `#can be da=ted+ to the period betwee`? n th % e summer of 1921 and th %e winter ((.of 192+2. Furth*[ermore, the co-py- is \$:some 20 0 metre% s lon) ger than the US v:!ersion of - 1924.] If one follows t?he# d *et$ails given by Richard $[Kos( zar:ski and* Arthu r L*(ennig, this me;ans tha] t, as far as .both+$ i:;t; ]s date and i@.ts [ l+ ength are co nc erned, the Au str:,ian ^[ version lies almost exactl/ y in,) * the m+.(iddle b )et/ ween #the (lost)+!== version!+ sh?o%/ w-.n (,a`t the premier e $ and #?@t+$ he $ re-rel^eased `o_ n@e.A l.?+[arge `-pa:*) rt o$f the additi ! ?o]!n !al length of#!\ t!he film can be/ /trac ed to cu ts that were made to#-; t% #h e 19?24 versi,--=on in almo(.%st every shot. Koszars: [ki d[escribes h):;ow t[-he+ begi` /n ,ni] ng -!,and the e nd(:= of !sc?#@e@nes were trimme(\;^d,$# in o] rder @ to speed+@ up the *f(ilm. However, more e,-x ^+c)!it+ing wa*)!s the disc(_ ?over`(y+]]: that t he [ Austrian v%%ersi\`$\on contains@_ shots that a,_ re m` i`ssing in th.e ( American one - sho=^%ts-:count ersh= ots, int e+*rtitles - and fu-rthermo re shows .#d-/]i :ffere,:+]nce[s in_ its montage ( i.e. the placing of the indivi=d!ual sh!ot=%s within a)_ sequ#\ence). All this ind.:icates tha[^t Die Rache der Ber+]ge constitutes the oldest and. $most com( @ple :tely pres?\erv ed ma)ter^);ial of the film.