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The Doll i/s an ad(-`apta]^tion of the nove`_,l? , The Doll (novel) by Bole_%`sł =aw P*rus, w hich is regarded +`by many a.s= one of the fin-#(est*@[ .:,%Polish n!?ovels ^e!#@ver wr)?( it$?.ten a$[)nd, along w,(ith Pharaoh (novel), made Bolesła!.)w Prus a potential c +andidate fo_r th e Nob!,el Prize i,!n lit_:er-!ature. Th e influ;\ence \o%?f ]Émile Zola is ev;ident, and some have compa$re=d the no @]vel t?;#o Madame Bova+ry by Gustave F /laubert; bot\*h])! were Prus/^'s contempor=$aries ]]-.( The!\ mo vie,, however, may be more c ompar*([ed ^ to Stendh ^a)l's(. L)e Rouge et le Noir, (The R`;ed !$ and th)$e Bla$ck). The Doll constitutes a p!anorama of)[ life in Wars#a`$w #]betw$ een (`=1878 a^,nd %1%879, and a t the sa/me? t)+=`i-`me i.#/s a subtle s+tory _of thre$e :;::\ge@n. e_ rations of -P oli _*sh idealis[ts, their psy,?$#chological complic@-=ations, their involvement in the history ;^ of t #he ni+nete^(e/\!nth cent`ury,; social dra:@[mas, mor\-al prob)\+lems @!@a/?^n!d% ]the experience = of tragic?] ,@*+ existence [. At the same _=time this story describes,) =# the ++`di=]sinteg -ration $, of social relations ! =hips and the growi\?n g separation of a socie.-ty.%) whose [[\aristoc/rati:? c el[ite . ^sp,.r\^eads the model/;s;_ -of ; -+vanity and idleness. In @]the_ bad air of^ a b ackward country,, anti(-Se:?mit `ic \id] \e/;as are]? born, v %alu.]*able indivi:duals#= me\et_$% )obstacle^-!s `(:on ]?their way, and-+ scou#!)ndrel:]s: are succes__s#fu@l. This p)oetic love s\tory ?.follows a +/nouveau riche merch-_ ant, St \an)islaw Wokul,s ki, th rough `,`^a series of tr* -ials and tribula+$ti ? ons occas:ioned by/ his ob#]sessive ];pass$`ion for an aristocr$= atic beaut%_@y, I,zabela L?/ecka, pl]:^ay$ed by the famous Polish actress, Beata ]T$ yszkiewicz. Plot As a d\$,%esc?e.ndant of an i!%mpover^ishe@?)d Polis%`h noble) famil:\?y, .)^yo#/un`:_g W[okulski is ,forced to +(+work as[ a wait e.)@?r #,(at Hopfer's, a Warsa)w =`restaur(_=ant,*// while drea/ming of a life in science. Af ]:te_r takin!_ g` part in the fail)_^ed 1863 Uprising +,aga= ins_t ;:^*Tsarist Rus?sia, he is se] nte\[nced! to exile ^#in Sib_eri@?a.: ,^On eve(!ntual return to:_ Warsaw, h^e [\becomes a salesman at^! Mince[ l's ha[ #berdashery.!# Marryi@= ng the l? : at +e -owner=%'s widow (who eventuall =y dies), ;he comes ^ into m=\oney and uses it t:o se ?\t \up ` a partn ers@hi ]p+_ wi !,th#[ a R`:ussian m.$erchant he ha,:d met while in exile. The(^% two mer ]c[]h?`ants `g!,^`o to Bulgar+; ia du@ /ring the Russo-] \Turkish War] of 1877[;-7@^ 8, a* nd .\)$W (okul-$ski m+@akes a fortune supplyi^\*ng the %\Russian Arm,y. The e(nterprising W.$okulski now proves a romantic at hea$ rt, falling in love ^/ with I?\zabela,!?_( daughter of the vac](uous, ban _kr+upt=_[ ar$ istocra%t, =`Tomas]%_z Łęcki. $_(In $his ; quest to win Izabela=, Woku lski begins f*requenti@?ng theatres and ari/!sto?=cratic salons;)^ and= to help her financ( ia\lly `dist ,`re ssed ^father, found*]+(s* a company and sets the arist\=oc+-rat/ s up as shareholders@ in his business.The ind*$olence of t!hese ]aris_%;tocrats, who secure with thei^,r p!ensions, are too l[azy to underta ,?k`( e new,, b .usines !s _[risks, frustrates Woku`%lski. Hi /s ability to m@ake =money \[is *#resp:_ ected but$ hi$s\ lack( of@*^ family and social: rank is conde=]^scended to_:. Because\ of hi?s(: help :(in secret) `;to Iza (\\bela's impecuni!!o@,-us bu t influ_/ential fathe@r, the girl becom+es aware of his ).aff%]ecti] on.# In the e,*nd ]? she consents to accept him, but.!+ with @`out @tr/ue devoti(;#on or l`_ )ove.(wikipedia)