沉寂
之桥

剧情简介

Ma#rg( Du#ffield (L($(ee Remi-ck)\ is the Ma/]i(@ne .\;wi_fe of Al`+ (Joseph Sommer) wh`o:se daughter P,,eg?,/% (Marl:ee$] Ma`(t`lin) is d#e,a?f. Peg's h%= usban.d is killed in a car/](:. accid:e;`nt /.# on :]\the [^way to visit the* Main) e house, \\and t`=*h\%%e; Duffield's ta=\ke in Peg's si`x\[ year old/ da@ *ugh]
ter, Lis .-a, while Peg recovers. Since Li/sa is a] spe];aking?. c$hild, Ma?+rg -+thin
,ks of ;?]her the way she @w
`ant=*^ed Peg to be, and se.;$eks guardian custod,.y.　　Rem[+i*ck='?:
s role:) is seco;!.`ndary to Matlin's, tho,ugh she, is [pr@esente
d as a#\/ tragic figure, particu/#la[rly as Al refuses to help her#$@ plan to gain ?Lisa. Peg's de^(afness is said;-
to be fr.-:om a childho* od + ca[
se of spinal meningit+^i$:_`s, and the teleplay b\
[y Louis!^a#)- Burns--\Bisogno,  with story b+y Loui/sa :]and )Tom Bi`+s?=/og?no, reduces; Re`mic^k to a .textbo*,ok/ mo` ther who is self-hating from g *uilt` and %therefor`e cannot;) lo@+?!ve her o].wn daughter. In a\: memo=-rable scene]%/, Pe:
g ang
]?ri:l!+y s_!%igns he#:r exit to Marg, *since Marg has/-^- refu
(sed to lea rn 
$sign?,$ langua]%ge, thou#gh P\\e`]g h\_as l:;earned to spea%\k for her 
mother.! 　　.Th^e treat/ment\]: uses t)he Tennes:.;ee Williams play, Th :e Glass Menagerie, fo
r t@he$^;r a!$ ;py, to help Peg over+=^come her grief and also Mar[!g. `,*lose her^_,! unicorn horn' and` embrace %!her daughter.
$. W,$hi)-lst Peg
 ch^oosing t* ?o @;[#act in`] this play may seem a :n odd choi=[!ce for someo
!ne g`=`rie\ving, ?!w*#hat is more ![noticable is t;hat M;atlin is far _#too[ mo-re .#gl#amourous to@) be believ:,ab* le as Lau ra. The Bisogno's $-;inclu?d?#e Michael O'Kee\:fe as Dan,\ Peg's deceased*? h@_us`band's b%est friend and director of A/ct_-@ ors Theatre for *
the _[De/!(af, to offe#r Peg a) new rom
` antic .!interest, an(!d tha*nk$fully she rebukes? his protes`t, ,ation +.;s of`] love.?(+) Al though  hi-s op+inion may b? ?e :+influence:_ d by his `cru;?sh+#\_',% ;@%/Dan tel=!ls P,/eg ])that @being @!*different is[` better _= t ;,/han bein*
.g norm $a/l+
[, @sinc,e the )
normal on=es are as@ `c%)ommon a;.s w !ee,=?ds'.  :@This ^philosophy reads as rathe r Nietzsche /an, on t/;+he!+. le,ve[@(#[l of_-
 ar-tists n(ot being r!estr `ict
^e/d \`to the common mo% %)r!al code.　　Dir [*e``ctor Ka
%*ren Arthur either has tho:(s@/e signing : also speaking or t)hose signi_;ng being translated for \= the audi[?]^ence,@ th/-/ough in ;: one scene the `sound  of lap(?pi)?ng wav=es drowns /out the d?:ialogue between D !an @and : Peg. S.
@h;,e also[_ gives Matlin some goo-(d moments.*, one[= being her scream of hor ror when she he=ars  )th ^e news of t!
^he death of her husband, and anot\.;(her when_ 
she cha. ses Remi
)\%c[`!+k down a@^% flight of#;$ steps, hitti \ng^ h?_$.er.