德拉,克的回归

剧情简介

与Stefan +_!Uher和E[ #lo Havatta一样，
Edua)rd Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他=+的三部影片《一周七天》（1964）《尼绒月[亮》（1 965）和这部《/徳/拉 +克%, 的回\]=归》都是斯洛伐克新.-浪潮电?影`:的代表作。这部叙事方法独特带有明显意识_流风格的黑白影片#\%甚至间接影响到了后来法国导演格里/?耶在?,捷克拍摄的两部影片《说谎的人》和《Ede;],n: and After》。　　A s,^]_pecial place i-)(]n the d-evel.@[op\[ment of featu]re films]@ is reser!_ved for $E]d,`*uar$+d Grecner*`], t\*h` e creator @of just one good.: film, ^]%Drago#=n Ret`_)
u[
rn-$)s (%Dr`)a= k  ]sa vracia, 1$
*967), titled afte\ =r the nicknam *_e of_ the le=%!ad )$cha[rac*ter. After h \is:+ initial work  =with Uher, G)recner made his m:;!ark a:%
,s a pro`:-ponent\?$ o ?f the s.o$^$-called intell;*;ectual ,_film%, the antithesis o`f?, the sociologically, \or rather, social@[]ly: critic#
al f)il)m. G-  r=,ecner's g/:=,reat r[/!*ole]( m(od$_el; was Ala

n  Resnais, a yo=$ung Frenc@-
h f@@$il`..:_mm_a`ker who so %)ught to introduce Sl,ovak-i@$`a to ))_th?. e i
([dea of fil_]m as a laby: (ri=($;nth in which me?anings are created not by stories, bu.=`t _by com,_*^,plex,/ c on,!%figurations o;-f dia#/l?ogue\, sho.%t,+s, a\@$nd various lay@=ers of time,!. thus dif fe/rentiating film from bot h literature a`nd theater. @/In Dragon Returns―the story [
% of a solita]_ry h ;ero)$` who is needed by villagers liv`.+ in%g far i (n the mountains, b+ut:/ wh%? o is rejected by t!?hem at the same time becau,^se :of his det \!achment―Gre,cner brought
+ the# tr%adition^ of lyricized_ pro? ]s
!e to lif,e through ; a w##
h`
ol+e seri$es of for mal!/() a(esth.*etic techni^%:]ques.`) Alai!^n Rob;^be-Grillet immedia+tely deve\+loped this idea in t(%,he film shot i!n [Bratisla_@va The\-
+ Man :, Who Lies (S+lovak M/?uz,`^_ kto$
;ry luze; French tit[\\le L'hom//me qui ment; 196[/8), a;`nd perfecte@d+!?? it -:i^n E]=den and Af=ter (Eden a -po;t# !om, $
19
)-7()]:0).