关于在短时间内的某$ 几个人的经过

剧情简介

Voice 1 (male p_; rofessional announcer type%(]=) T!;#his neighbo-#rhoo\.d(1) was made for.. ;the wre#]tched dign]`ity of t)^he pe*t]t@y bo_!#/urgeoisie, fo%\/r re/s `pe#!ctable occ`/ ]upations an`\d intellectual tourism@ ?. The sedentary p- $opulation of the ?]up *%per f+#=loors was s[ heltered from th-+e\ influence%-s of #:[th*=e str#`e)]et. This ne/igh,=^]b^^orho$od has r-/ema_ined _*\?the s?/%ame. It was the strange se;-t,)t/- i;^ng of o ur stor@y.*], w[here _+a systema(@tic questio;ning of all the div@ersions an, =d *=wor[%=ks of a s 
.ociety, a total crit ique\ of its idea of: happines=s, was expressed in acts.　　Th\:ese_+[( peo!pl$[`e also scor^? ne!d_!+ s; ubjective profund-@[ity.
. They were 
interest.ed^. i!*n = no thi ()ng but= an a [`,dequ\ate and concret]e *expre-/ ssi*.on of them$selves.　　Voice$*  2@. (Debord, m.onoton).=e) (=Hum_an bei:?ngs are?- no (t fu@lly_%/ co=nscious of ) t?=: he]ir re%.al lif_e [#?- usua
l\, ly groping \*in the dark; overwhelmed by the consequences?,$\ of their/ acts; at eve\:ry mo
men %)t groups and= individuals fin:d themselves confronted with results @they have not wish*^e*@d.　　Voic*e 1 They said th)at o$[@bliv=*ion was t=)
^hei?.r ruling passion. T)=hey wanted,:! t!.:o % rei_nv,/ent ev).*erything ea;ch day; to b;ecome the)\ mas-te*(rs  and possessors of their own lives-#]#.　　Just as one- does:( not *\ judge a man accord;ing+$+ to the c.:onception h[`e ha/$s of
!himse#% lf, one ]+c[ann/?]=ot  judge ![ such periods of t]ransition!% ac/cording to thei]r ?own consciousne = ss; on th
;e contra \* ry, one must explain th;e cons+ciousnes?s through the contra/.dictions of material life, through the conflic.;t bet,:we,en socia`*=l @`condit:^`ions and the+ forces of social production.　　The progr.
ess achiev.`ed in t.he )
d$!*omi=( nation of nature was not(, yet @ma)tched ,by a cor(-r^espondi*#[ng? ?liber %a*%$#ti(,((on !+_o%.:f?ay life.( Yo+[:uth _]`pas(#sed a _#way@. am/ong t/`_@he ?various ; c?]ontrols of resign[.atio;n.
　　Our came\_]ra has capt[)@\ured`. for you a fe%;w \as[\
p/*ects of a( provisional , .+microso `%ciety.　　The knowledge of? e`=[mpirical fac.ts remai ns[( abstract an;)d sup%erficial as long \as: it is not c.!%!oncre=:t; \ized !.by`( its integration into the whole ” which alon#e pe[ #`rmits`[/ the [.:supersession of parti=?#]al and a)bstrac!t problems )
so=@- as t (o a.:rrive /`at thei( r]*
concrete_
. esse.
,nce, and implicit,?\!ly%% at`\@ )th ?ei ,.!r mea;ning@.　　T` his gr%oup was //+on the )margi$ns of the eco$nomy. I$t= _ tended t.*oward a role of pure co=n
,sumption, [/=and *first of all the free %consumptio;n o?^f its @*=time. It
@? thus found itself dir%e+-ctly engag/ed in  ,qu+.)alita@/:tive varia tion]`s o*#f ev;eryday life bu t deprived of #*any me_a,%ns to in+((tervene in them.　　The group ra nged_ ` o,
ver a very small area. The same\[ times brough.!\t th-)em? b^#ack **to the s+*ame p (#laces. No %.one wen #t[?) to bed :early. D_iscussion o: n the meanin_:;$g]% ,
/of-] all this continued.:.._　　Voi=%=ce 2 @Ou! r life [+is a[! journey ”  In the winter? and.+? the night. =@,” We seek ou^.@r passage...�$　:　Voice? / 1(/ The $) ab [andon$@ed^ ] literature neverthele+ @s+:(s exerted a delaying action !on ne*.w affec`/?tiv+`e formulation@:s.　　V#\oi!(ce 2 There(#[
/ wa.*s the* [fatigu +-e and t)_he c]!old of the $
morn)^i\,ng in this%+ much-travers]* ed?( labyrin(;,th/ , like an `-enigma -_\th -at we `]had to r@ es$olve. It was a looking-gla []ss -#rea+lity throug?h wh_`ich w#e had to %`;discover the potential ri _c,,
hnes]s -[of reality.%;) _　　On the*$;$ ban ]!_k#? of the r i.
ver ev.ening beg# an once agai .n.-; and*- caress,es; and , the im _porta nce of^!/ a world @_
without(/ importanc)# e!. Just as the eye#%s$ *),have a blurred vision of man:!y things and can see only`[+! one +!/%clearly, so th-e $will can ^^\[#strive only i ncomp?lete =:ly tow;ard div _erse obj_^=ects and can^
completel:y=+ l ove only on+,e [+at a ^time.　　Vo=!ice 3 (you ng, girl)( - No on+:@e count;[ed[- \$on t* +he future. It w$ ou]ld neve@r=
 b$ /;e/ possible to, be together later, or any)where el^se:=.@= There would+ n,ever be a greater free#dom.　-./　V^,?#oice 1 The:* refu.;sal of time @ (a( nd+[ of ;%*growing \old automatically limit,ed_/ encou?;nters?!-+ in this narrow,-=(^ contingent ]zone, wh
:er -e w@ hat was lacking , wa!)s fe^l)t as irreparable.^ T-^he ?_extr` \eme _prec ^%ari`o
(;usness of[ -the m. ea/?n?s of[*- getting b%y wit.hout wor
#

ki)@ng :
wa\\;s: at the root o;$f thi-.s impa.t\$ienc(!e . w -]!hich ]m=? ad)e e]xcesses necessa`/ ?ry )
and breaks defi n$i, ti[#[ve`[#+.　　Voi ce 2 #On+=e
 nev ?e@=r * =really cont +ests ,,an@. organiza@tion )+.of[^% existence  wit/#hou+t contes%\?%ting all of. tha ]t organization's for/?ms `.o?-f lan(;guage.　　Voice -1 When freedom
$*+ is *_\practiced in a closed/%( c@ircl\#e
, it fades into a [#d*!r-)eam, beco= mes a mere represe!?\ ntation o+f itself. The ambianc%[e of play; is by nature unstable. At a$ny moment ordi*$+nary li_ .fe� can pr$evail, on*ce again.^@ The geographical limi@-*t %,ation  o
=f p; la.@y is even more striking than its tempo?] ral limi[tation. A_ny game take^s !place within the contours of /%its spatial doma
in. A_(round  the neighbo-r%hood*, /##_around its fleeting and th[r*eatened im%_mobility#., st?$retched=\, a, h$+al*_) ;f-known c#ity where ][peo (pl?@e met only by cha n+ce, losing  their% w.a_y forever.　　Th[ ;\e-. =girls ;[w;h-
 o f!=%ound the ir way+ there, because\+= they we?=$])re lega^+ll^@-y under the control o]f =the@ir families `!until t\-he ag^:e of eigh/`teen, wer)=+e o]_.ften rec # a^*ptured by the@_ defe=[nd]
(ers o@_;f tha*
?t _.detestable :-institution -. They we#re generally%-, con fined unde;r the[) ]`;! gu:_#ard of those !_=/crea$[tu
r+@es who among];- a
l (l the bad  prod[ucts
% [;of \@a bad s\ .ocie
t(\;y are the most [\,@ugly/ and r(e?[pugnant ]nun(:s%
+.　　What usuall`y(
 makes, documentaries so easy to unders=-tan#:;d is th
@ +e arbitrar]-y limitation of  th%eir -+subject matter. They? _$ des ;! %cribe the .atomizatio*+n $of social +. functio$n+s and th.%
_e#; isol ation of =th@eir @^p,=?r.[oducts. One can,* in contrast%!, env,_$isage t@ he,/=, en tire complexity] of ^a mom%
ent which%
is not re(solv-ed into a work, a m.
oment whos$,e movement indiss)olubly contains facts `
$and_ valu%.es ]and wh.ose meanin$g ^does not ye.t appear. The su*
bject (]matter of the do]\:cumentary ,w[ould  =#?;then be this confused ,tota) lit)!y.　　 @V:o -ice,[, 2 The e$=r.=^$a h#ad(\, ] ar , ri=ved at a_? level of knowledge and technical` me,ans that mad$^:e- possible, and increasing#!* ly necessary, `; a direct con:)struction o@]f  all %*aspects of a liber;ated affect=#ive and practica/^ \l ]existe) nce. The ^ a, pp=ea,%*rance$-_ of% these sup[*eri_or means` of ac@+*tion, still unused beca[use of the delay(s i!$n the project of liqui%%dating the commo+
dity ec\ onomy,#?*]% had- already condemned ae^sthetic activity, whose ambi[@tions`^ and ^ power,-?s )`=.were both o)utdat :ed%^. The decay of a-.rt a--nd of all the values of former `[m[`/ores h#-ad^#

f%ormed -our:\ so$)cio^]=logica:` \[l background.@ The ruling@`$@ class'?s ,@mon\opol;y over \%the )`:]instruments we n
^eeded=[  t*;o con` tro`=l i)n %:\]order t [ o ?;)realize= the collective art of ou//=r ]@tim%e h+:[ad e:[x
cluded us fro.^+m a cultural pr^[@ oduction official;#:ly ,$devoted t/$o #-:ill:ustrating and)#.[. ;/?rep)?eatin;g th-[e *?past. *#An:!! ;art film]^^ on[) this,_ generation ca$n  only be a f.ilm* on it)s absence of real creations.　　Ev,%\eryone+`^ `unt\hinking-ly f$ollowed t()`he p]?aths lea!rn%/ed once \ and .
f.or a`[#ll, to `+their work%*! and thei%r h+[ome, to their . pr;\+edictable` @ fut-ure. Fo:r them duty had al!]ready bec$ome a *.hab?.*it, @and habi# t a duty@
+. They_= did not see the%\ deficie\ ncy of th\. eir city. They tho: ,^%ught( ^th e d^eficiency of[ thei+] `r life was ?.
natural. We wa(nted to break o=?ut of thi/s con 
ditioni,ng, in qu`e:st@[ of ano/ther use of [=the urban lands!cap;e, i\*n q:=(uest o
`f, new pa: ssions. The atmos;\phere of a fe@w pl,/a[:\ce-s gave[ us -: intimation()s of the f$uture po:*!w=ers[[ of !)an a)^/rchi\tectu)re i?[t would b-e$ ne#.cessary to creat;!e to be. the su pp(+?ort and f,ramework for less= me/)diocre#: ga]+ mes. We could e(xpect n$\othing of anything  ]we had_ no[!t ourselves+^%^ altered. The urban env;ironment p(+roc)lai)med the order-s a;,nd tastes o%f ^ the ruling s_(%oci\ ety just as v
iolently as the ?[newspapers. I\t is= man w ^ho makes t [he unity of the world, but)) man h#:as
ex .tend ]^ed himself everywher+].)e.?* Pe(.ople ca ?()n see -no:*$\t+hing_=*? a!?round t)-hem that  is %not th%\eir own image; /_every]?thing spea;] :ks \,to them o/f the`+\m
se/l`*v* es. Their very !land#scape is alive. T.[here were o()bstacl es= everywhere. Th!$ere was a +]cohesion in the obsta[cles of a-ll types. -
_They ma^+
in)_ta* *ined the c?
;o ;her +(ent re) ign o#f po
v(,erty. Every,.thing bein;g con,%-nec.ted, i:+`)t@ was n,+( e 

ces@ sary  to #cha]__nge ^ever,ything by a unitary st+ruggle, or noth-[ing. It was ne; /ces%`sary to l/;i,n:k up wit.h
\-the_/ masses, but we were*#_` $=surrounde)d by s![le]^ep.^ 　　Voic#*e 3 #/(T=he di(ctator #ship ]#of (t?^ h?=^e pro+letariat=,[ is\]) a-.\; de%sperate strugg+le, [-(b=loody and bloodless, violent and pe).a
cefu!l, militar y an,d econ)omic, educatio#*!\\nal and administrative, again!=st the
[ ;]f*+o/rces  .and tradit-ions o f t#,he %%old)-. w^orld.　　Voice 1 In thi \s c ^)ountry it is o;
:nce ag`#ain th e men of =#+ ord#/er who hav
#[e ]rebelled. They have reinforced their p -ower. The )y have been able .[,to agg\ravat (:e the ;grotesqu:@eness of the ruling condit=\ :ions acco(*?rd]
ing to their w=)[ \ill
#+,. Th/e y*/. ha` ve embellishe +d #`thei?` !r
` system with the+  #funereal c eremonies of the pas!-t. .　　Voice 2 Years, like a/ ,si,?n`?gle instant prolonge..d to  this point`), co? m:e to an \!end.　　Voice 1 W*@hat+#% \was directly lived reappe:ars fr^/,ozen in the \-%distance,  .%f; it int `?o th*/e $taste:-s an,: d illusi$
ons% of an era, _ca,rr
i=:ed away with i`[t.　　Voice 2 T[he ap(pearance of events that _(we have not-% m/,ade, tha ]/t others hav ! e ma^$de ag.;#ains[t us, now@ obliges us to be aw$]
a(re o[`f the ![\passage? of t,@ime,  ,its resul.ts, the transfo
rm#
a(?t-ion of*) o= ur own d_esi(res into events?\=_. Wha -t different)iates the past fro)*m the present ]@# is prec.!_isely \its$ [[ out-of-reach objec.ti[
_v^(;ity; there is no ,:more sh
`_,ould-be; bei:n[@g is so co !n,+sume?]d +th,[%at it has!+ ceased to exist. The details are already lo=st i%n the d_us%t )%of t:i m$_e^+]). =Who w
as afraid o`f li.fe, afraid,, of the n,ight%, afraid of be`* ing ta-ken, afra/*i!d ]`of be\ *ing kept+$　　Voi_-_c/e 3 Wha)/_t !!(should be )$,@a;bolished; continues, and we continue to w@ea r a=%way.? with it. We are engu@lfed. We are separated. The years pa.ss an$-d w.^e haven't change? *d an? ything.,　　Voice 2;- Once, ag::ain mo rning in the same st\ree$%ts. Once aga]*(in the! = fat -igue of so + many
?s: ,imil(`=arly p assed n@ights?_;!. It is a walk that has @^\lasted a long t:]ime.　　 Voic(e  /+1 Really hard to_ drink more._,.　*%　V_oic-[e 2 O `f cours!(_e $one /might ^[make a film of it. *[$;#But even if s ?uc-)]h a fi++: lm succee!?ds i?n !bein*!g_!^ !/=#a;;s fun,:damentally disconne(cted )and u?nsat=[*isfying as the @= reality i\%t deals wit$(-h!/, it will never b_e mor;e than a r^?_e,^_!@-creation ” p_o/or,* and f alse like this botch=)@ed t rav [eling sho,)t.　　Voi:ce 3? Th*^ere ,$are now people who pride themselves on  being author%s o!f films,   as oth +ers)_# were authors of nov[els. They are ev @en more backwa`
=rd th 

an the novelists #be(!$cause they a.+r=_e unaware:; of the de*composition and ex haustion o`?f in])dividu,al expr e@)ssion in[; our\ ti@me, ign!)orant
of t_,_he, end of ;)the art  s `of pas sivit!y+. They are pr ai_(sed for thei @r si![nceri ty s ince they # dramatiz,e, `with m?(or)`e per_sonal depth, the conventi@`_ons of which thei(r]+ _life*/
consists. Th*ere is talk of t] -he liberat ion o,f the; cinema. But what does it matter t#]o u[s if one more, art ` is % liberated throu%%gh wh @i]c`\+h Tom, Di_ck o/r H,$a rry can joyously e-#@xp`ress their slavish se([^ntiments The o]/:n ly in-tere;s-\$ting$ ++,ventur;e is the libe%ra^%tion of everyday? life `, n`ot on`-ly i#n t  he per$+s/pectives of hi+\\sto%`r/+([y bu)t f\[]or us: , and ri`ght awa y. This /entails 
 the withe_ring aw%!+$ay of alienated forms of ;communicati+on. ?,The cin#
em(: a, t!:oo, ha(^\s to be ]/`de`stroyed.　　Voice 2 In the final (-analysis, stars are created by th!e need we have fo

r them, - and ^^ not[ by thei;$r\ : ta`^\lent or `/lack [=of. ;tal  ent or even by? t
#he $film /);industry o
.r adve#.]rt^ =ising. Mi
.^serabl,`e need[, disma,=[]l, anonymous life ( that would li(;ke
+^ to# expan
# d it*)sel.f to the dim:ensions of cinema  ^life. The i(@m;aginary li
!fe on .the scre en is %^/the produ:_%^ct o ];f !^t:(*h*is re^?@al need. %The ?star is the projection- *!of this need.　　?#T`he imag;es of the ad _v^erti!]^seme;$nts du#`rin%\g the intermiss?io@$ns are ?@ mo$
re suited than@= any other!;*s for evoking a n,= i[,nte@rmissi-;on `.of life..　　To really descr\^ibe this era it would no / doubt be n* ec[ %%essary to sho/w many othe*r thin=:gs. . !]Bu+t what would+ be the poi

nt　　Better to gra/sp the t*;otality of wha] t has \[^ b?een done and what remains to /,b:e done ^;than to add more ruin \s to the old world  of the s;$/pectacle and of mem=$o;=ries.　 !　1. T, hi.s  film, [which evokes t`he!( lettri/st experiences ]at . the orig^-i$,
n of the situationist movement, op;+? ens] with.( shots of . the Paris`, dist+ri*!ct frequented. by the lettrists in the early 1950s.