不安分的年轻:人们

剧情简介

Middle cla$ss st( %_\ud^ ent Bob$` Letellier enters $#`a n#e+w wor$_ld w,hen %`he meets A/lain, a f+r^*e #/e-th+
inking rebel wh$+o, along wit+:^h his group o)f young )/[(Parisian]s, has$ o(! pte d f##or a life of ,-,i
[ns!^/%tant gratifica@tion ?inst_?`=ead of work a*#nd commit
m])ent. At a pa rty, Bob me?ets a y!oung wo$man,^
 Mic/+:,]^ who appear( ;s( to be just as caref-@r]ee and:. cynical- as. A,lain. )Mic's only dream is to? : own ^a ^#)luxury car, and w_i?+th Bob's ` help, she manages $
to fi_/nd the money to but it. Mic's fr[[iend Clo discovers s/(he is preg$
n#`a,nt and, not knowi+.#^ng who;` th ^[e _@/f*; a`;ther ;*=is, sh %e as_ks Bob t ]o marr*` y ]her. When they n\@ext meet at a par  ty, Bob and Mic deny;\ that t; _he]_#y h%ave; any feeli,ngs; for $one a%) nother = ,- a declaratio;n th)
a=$- t soon leads\: to tra(gedy...　.　　　Marcel Carné+ is  wi: de=ly regarded[@ as ;one of the stan+- dar!d bearers of_)_ F%_%rench+
* quali^(t-)y c)!\inema of th
=e 1930s- and 1_]9(40s, respon? si(ble for such mast%erpieces as Quai d*\-e s b rumes (1938) a#nd Les En_+fants du Par_==adis (+*.194+5)#,;#. How ?:ironic then `*that, in 1958,:$, towards ,_t ,
he end of his film-ma* kin,]g caree/=r, he s`.hould m:ake ^a film whi+ )%ch dared to p=%ortray t+]he attit^udes and behavio, ur o%(-f the))_ -:\1:?]950(#-s youth, ( in a way t]_h)at ef;=fecti
;v,+=ely `cap**:tur@-#es th[$e moo^!d and se_:)
ntiment of_ the time.　　　　Les T-richeurs was a hugely controv ersial fi)lm, not[[# least because of its
.
blatant depiction of adolesce. nt free`
-love(+, and was even banned\ in some regions of France. It also /re./,ceived]\;. some %i(:ntens%[el$
y;@
unfavou=:rab%]le% %(r+e.views, most!%,/ notab-ly fr-_!om the  @`young hotheads on t![he Cahiers du ]- cinéma such as^/ François Truffa$^ut who cit+?e[#@d thi-@s \film as a pr[.ime exa$=!mpl_e o^,;f the decline o-f F.renc$h c^*%`inema into mediocrity. In. spit_?\e o@f all this n(/[ega/tive -pres*s, t_/he fi`=lm proved t,^o be
) [a@?n as.%tonishing
 +commer;
cial su^ /[c^cess]-;, attractin?_]g five million cin!-em a-goers, .? and @-w^ a#s`  aw..;]ard
:ed.- the G:;rand P)*rix/- du Cinéma. français in@

 1958.　　　　Whi ``_l^s; _t Les^` #$#Tricheurs is not a []s fla*! wless as Car^né's+ earlier masterpieces=, it is no
\$?net _hele$ss a\ =signif`ic.)_ant work, @` having t.,he po;wer to bot[)\h shock and move its_=: audience, whilst ha?ving*[ great en`te:/rtainm^/ent value. It evokes): the mood = of
]: it .,s time in a w,_[ay th_-
\at few French films/[[*, \of this# [[]period did, d@epicting young people as pleasure-seeking rebel.s, !rejecting th;:_#e a $uste#/rity and discipline of t;.he p,revious generation ?(!_wh`il.(st pu_?*;r)suing a life with%_out ca#:res, responsibilities or^; love. Similariti;!es ,!=with -(Jam#:es ^/De+ an's films of the 1950]@s (m,:(ost notably Rebel with )%;?ou %t %a% Cause) are a p
pa@rent`, although Carné's treatm(ent @\
of you$ng peopl/e is $__:far more abstract -)!- in hi/%s film they(] [merely symbolise a world^,.` tha$.t h@?_as lost its way, more or less v%[icti ms #=@ of
\ post-w%`a r`;] prosperity. Al:(thou(g=,h the young p @ @eople.* in Les Tr @i[?cheu`rs=^@ l,@ack( ! the authenticity to \? .b//e tot) :ally credible, )(the ]fi,lm does make ,*an ] )#impor
=%$tan:%_t, _#a=^)nd=\ indeed =:quite !` dis(tur?(bing poin)@`@t, a)?;bo ut w $h(e\ ;[re the permi`ssive\ society may! be head@
ing.　+
　　　Much of the [plea `sure ^@\of t!
]he film is in the performa+_ nces fr+\]o(m its: .!f@^[our lead actors, Jac!ques Charrier, Pascale Petit, Laurent T=-erzief :f and Andréa Paris(y, ?a^lthough only *Terzieff is really c  on[vi))ncing i?;?n his r_,.ole. Marc\el$ Carné (originally considered Al-
:ain D:.e
%@lon=(
and Jean-Pau%)##l Belmondo%!/ for the parts of Bob an d Alain resp?ect=_%ively,.[ b_efor?)e o^\p  ting for Charrier and Terzieff. As a c
onsolation, %`Carné offe_
r$ed Be lmondo a smaller part in t_h/e fi.lm ) ;- ala
::s too small f  ,o@r t-;#
he a^]c!tor to be notice#@d b[y- *^the public:)[/.; Belmondo's b* rea@=`%kthrough h/
$@ad to wait)?? unt\i)_l th+e f(%ollowing yea;r -(w??hen he star,red in Jean-Luc-/.; Godard's r?#*evolutionary A[: /bou] ?t de souffle, a #fi+l*;[m whi[#?ch offers a very different perspective of the youth  genera)ti:-%on.