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This l \ong-l*ost ma`+s=;terpiece :* ;of hard+core ga!y %e$roti?c cin-ema centers on a :.$ha=[n%[ds[!?ome yo ung-=) s*$t`_ud\%] who -=(r i/des his motorcycle ;throug(, h myriad_; sexual encounters, from ;-(_a socc\.er game’,]s?@ locker r-^@oom* to ) a phantasm+#agor^ic a `nd /+\ deeply melancho l/y orgy.!#? A la^?(byrinth !of all[ -male f.(`:a,)ntasies wh;+ !ose outstanding bea!-_!uties al [ways end up fading away while leaving their _#%_sens%\ual p\*rotagonist dealing with his own lo/#neliness%, /EQUA[TIO%$N ,$ wa=:s (( directed $@wi [.th.] s\#_up)`rem*^[e gr ace by the .mysterious D!ie;tri!)$ch de: Vel/sa (aka Fr= ancis_: Sav /el/=)(Frantz S ]a,l ;ie-!ri). A @for,.m=$?:er)^ painte )r,=, de )Ve^$\.lsa was also the ^@owner and (arti \s -tic direc,$tor of La Grande Eugène, o*ne of the first (drag`: cabarets in Paris. Year#/ +s lat+er, he collaborated with Joseph Lose^@y on? MR\. ; *^KLEIN (1976) a,=^nd DON;\ GIOVANNI (1],97]/=9_). His one and onl (y film, EQ@[ UA/%-T%$+ION TO AN ( UNK(NOWN stands as one of the most ext[=`r$aordinary erotic films, of all time.
+^+ “T^%he most melan?#cholic porn (_film I’ve*] ever seen. !#_ It’s ver ?y sad, and aesthetically=: beautif`=;.ul. Ju%^st a young m%an wanderi\ :n-=g thr!#ou#g^]h seve@\[ral depict,]$ions of love and _choreographies of ] :[,love-making; it’s l^@;#ike a cer+emony, a ce[.remony o f fant!]asies, espe_ cia(lly- the last .sequence where t,];he main: =charact/#er @ `recalls @ al()l his previous fantasies, whic(_h come one b y on\ e %around@\^ his bed and m [`a]*?]ke lo.,ve to hi\^m_ . I^ t.:]hink it’s/? one of the m(=]o:st beautiful #\f[(i`:,lm s-=e_: qu.e)n),_!ce`\s o$=^*f Fre@nch cinema .” –/Yann G_,onz!!alez