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Tw!o c(%`odepend%ent be,s#t$\ ;_friends be; come add[ ic=/ted #to the h)eroin-l+/\ike touch of an alien narci[#ssi .st ^)wh!)o*], ma)y `]o@),+r m:ay not be ](tryi (@ng to take .=.!over the world. Writer and di `rect/or? Addiso`,n Heimann’s second feat$^(ure f/:ilm is provocatively ^ com.edic, inventive, and ;i/.$nsane in( t [he best possible way. An o +de= to the deliriously stylistic /l#/e++?`!ns of Japanese( -! cinema\:@ in the( ’60s a,^nd ,@’7*^0s, Touch Me@ , dare]s to “go there” wit@\h its ! themes of m e]+ntal , $[health, \:d?^esi:re, and Hent.ai-infused sexual abandon@. Oli]-via %%Taylor Dudley sin %)k@ _s into` ch%a^`racter t?.o ?portray a\ fractur ed a :nd ,wand!er ?ing human being in des^] pe[]r@=(ate need %`of a life-affirming ;touch, while[ Lou T(ayl$or-Pucci’s tracksuit-clad ali*]^en pers/!@ona is played to delig..ht #$f!=ul perf-^ ection. `[Jordan Gav ;ar#$is and Marlene Forte ro`und o *ut an,[ /i!mpeccable cas+t^ of far-ou?t cha\ra[[c# ter[#)+s who manage to be at once] ]]a.c ri- [monious yet]] r) ela ;ta)^)b le. The end r/+esult is a weird, wi ld,^ and frenzied fever ; [*dre ][$am with so much to unpa $c:k. While we may not be$ able to relieve ourse\)[lves of sel!$f.$-doubt, deep-seated childho-`-od traum?]%]a, a=$n ^(d d;-eb) il\%$^itating anxiety with -+the ;.simple !t):ou:*ch of/ an e/.xtraterres:trial being, maybe li [(]fe isn’$t s% =o b%ad? a[*fte\r all?