狂野 @街头
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Dese:rve.=s recognition as an inte@%re $sting misunde+!rstanding of the ha_:ll+ ucinatio)n gener\atio] n, 20 Janu!ary%[/ 2007 `=Author Tim(oth_yFarre:ll from Worcester, MA Wild? i_n the St,`reets [comes from the same sc%ho\^:ol of fil\++!m mak;in(@g that ? !s((pawned other ;attempts] t_ ]*o co/ ;+;nnect _t^o [\the .coun terc!ulture such as Skido]o and Can_[dy. The dif+%\ference betwee)]n (;this %and! the aforementioned fil ms is t $!hat Wild in t_h*_#=e St+-reets is rea/ _?s(#onably clever ?and w=ell^[@-ma=*de. It is*n*_'t sympathetic to* the countercultu)+re and _wi-$l_=l like ly)(( offend t@`]hos?e wi\!=]t.h fond memories #of #!_ th-]-e time^. ,!Su% [rprising(`[$ly, it was )a big hit$. when__ re?.l*%eased and ap;[peale`,d to the you\th whom@\( it ri.[dicu]/led so much. U \.nli-ke,` Th,+e Trip#; and Psy=^-ch-;O%ut (two other AIP films *), its no -t an ac-?#]curate re\(_presentation of the m,?oveme*[n^);t ` at a],%ll. However @it doe) `/s wor,+k as +socia$l(. s!$at+@ire. The d?ir?!ectio-:$n by] Barr % y Shear is go$od.( and makes i=`n`? n[#o v a\`#tive use of sp/lit[ scre)\en photogra,ph[`y./% ? Plus( ^, he kee!(ps everything@ moving a=/[t a quick pace. $[(In its (? fun? ny mo_\ments, the film works well. In its att!^?.empts at drama, its helplessly dat#ed and just as funn y as the humoro;[us moments,. Chris_[topher Jones un_:derplays his role and Shell% ^(y-% W(inters_\ overacts. Hal Holbrook offers )t -he best perform=ance : and Dia!@^ne Varsi ach*ieves,, the right note ,-of groovi !nes:s. Th\e script by# R,,ob;,ert?[ Tho#m has its moments, especially the e(nding (ea*sily the most ingenious p;\ar;t o.f the ) -film). Wild in the Streets i?sn't pe]rfect, but+- deserves re))c`]`=ognition a.?s an !) in !te[]`r/estin!g %:misunder)s*@]tan+#;ding of:][ [^^\t,`he hallucination?% \ genera`tion. Those -into this kind of kitsch wi],ll en;joy it) @?/the m +@-ost. I'd rather. watch The Trip or^ Psych-Ou*t howeve=%r. (610) -from -imdb