极度恐慌1!/983

剧情简介

PA):NIC BEATS begins wit,h a totally nude woman with
^wel;++ts .%on ?#her body, running through a misty forest fu+@ ll of deca!_ ;yed #skel^^e)to^?`$ns. (+[A knight  on horseback i`.-s chas\=in;:(g her,]^ a)n-@d we s!) oon *(l)earn tha$t he i*s #/$)+Ala; @ri c de Marnac (a wicked character Nasc`h( y \`
firs:+t cr/eated for@ H]?ORROR RISES FR,,OM T ;#H;$E TOM!B), vicio)+/ usl;?_+y killing he \r for he#

r:, unfaithf=ul ways. A]f-te?r /the ; )credits r)ole=[_,  we are taken** to the present.,) where *
:a de]#@
scendent$: of Marnac named Pa[`u)l (` Naschy) is )^married to th/+e wea^lth/y Genev`i(ève (Julia:;!@ Saly) was has some serious hea\\rt problems.\^ Pau+l decides t\(o take her to his^ ancest!!ral home *#^in !\#[the country f.;or some pe
^a!ce and quie
_t, but the supers!titious-f?il=led s`,etting ope?_ns a
?Pa%ndora’% (\s Box of terrible +occ^]ur
rences.　　+)We soon disc(.over that Paul .is a
)?rea! [!l son-o %f-a-bitc?; h.?] who ;+plans to sc%are his wi: fe to deat!+h, planning to cont)[rol$?-% he r(* fortune and continue his
+ s$ecre:`
t-: affair ;[with sed@=uctive *,bad] g^irl Mireille$ (Silvia_#* Miró)) ],@^ @# who happens to# be th-?(e niece of t@+he tarot ca\rd-reading!@: housekeeper, ==M!=abi.[
le (Lol*^a Gaos). Pa]:.ul’s malevolent scheme wor?ks,, b_%u \t he%_@ still !
-@has to worry about an addit
%ional money-hungry mistress (thi s %,guy really gets $ar.[(ound!), the unfo%$rgi;]v/ing? ( Mabile,#) ?, as wel
^_l ;as n$$ew fi:$ance
,é ,,` Mireille who /$might be hidi
n,+g% @ a thing or two herself. More = [\grisly mu;*rders follow, and the ghost of Marnac returns from hell to punis\\h the most
!%despicable human cha^[,rac :`t[[%+er (%_in (_the / \!film.　　PANIC BEATS was also written by=] N
!aschy (under his real name =Jac into=# Molina) who i) :njects]# +the film with an /]old-) /fas_hioned spooky h!`ouse :@motif, be! efed up wit^!h a  %,.moder_`n movi #e sense of vio(/lence and]:\ sexuality.;% The@^ fi:lm offers no==
)thing to o /i n$-%=`nova,$\tive s.to$)@ryw,ise,  )@and even @ ]Naschy
)admits o@n th
e d;)isc’*(s extras that `it was partly i^nspired by GA+SLIGH#T !and REBEC

]CA, _but he seem=/ s%= t^o just toss in a_* h([odgepo dg-e of exp^@loi.tati=o[$=*n and #horror ingredi ents, while deliveri-ng a stylish and enjoy[$
able effort with a numb+\e r of twists and.\ some;.  !*gen uinely., chilling mome.n$ts.$# \The camera :^shots;- and lig,ht?
in\g a:;?re both ef,.;fectiv)e, a`[:nd the #re's even does a co[);ol;; set]^-up (much like wh/at F,`reddie Fra(ncis did in THE%; [.,SKULL and \THE CREEPING _FLESH) where we see th $e point @\of vi(ew of Marnac throug:_h his dark?,* helm%`et as he stalk =s ^-his/. fema,le prey. Graphic. ally, we are exp\?o`,s;ed%_* to ^everyth\ ing fr,]!om )a p$#*late of bloody =eyebal %ls(, t]^o victims being !=beaten r:*elent.lessly w_;,ith .\\the vari.ou`$
s Medieval weapons affix;)ed## on the+_ ;house#’s^ *walls (for e +xample, someone is ax
?ed*) in the st_/omach,:*[ followed by th  e soaked `entra[i/=)l@s oozing out!)$. . ?Naschy’_ s+ most-? freq%?uen+_*%t 198 0s l,;e,ading lady, J\ulia( Sa^ly, is not# given @$m uch=?( to ,]do, but with !h;*er offbeat looks$/, is a#!.[ nice prese`%nce noneth eles*/s@. Th[%e prominent # f ^emale/,^ st^(\ar@? here is )$Sil via Mir-$+ó wh=o is se?en i[(n the buff :*fre? quentl`(y,.
 and she cert,]ainly makes for`)/ s\om@e ;+well-appreciated Euro sta`$=r]]l\`et ey*$e c-=an%@dy. Nasc?hy h imself+/# ;(is very good=$ in(^ the )%%.film,!_, pu()tting ;on @;:conni!\vi(ng fa.(cad^\es,: ca]+rrying @-(a number o@.^f ?w %
)omen on a !str` _ing,