造物的=奇迹

剧情简介

Wun ?=de[?r d%er Schöpfung,. is an? extrao$-rdin# @ary, fascinating Ku\:?ltur+film]#( trying %$to explain the w)=hole human k n!owledge, of the 1920s ab)out th[
e world and t
]h;e unive**rse. 15 specia#$+l` ^? `effec!;t(
:s experts and 9 cameramen were)`) involved -in the prod uction .@of thi/: s film whic\^`h c,
o.mbines documentary scenes, histor *_`ical do]cume@=nts, f=iction eleme
n ts, an_im/_ation \scen?es an;?d:_?( ed(+ucational im$%pact. It its --beautifully col)\ored,` using %@tinting and toning in a very $ elaborated way./# So$me vis =ual ideas ,:?-in the sequ:*ences w_$i^ ?th -=?*.a space( shutt#le visi[-
tin\^g di^_ ffer %ent __)planets in the.?# uni$ ve#/ rse ;#see,m to h]:ave t\. o be . the inspirati [on for Stanley Kubri$ck's\\ 200*(1 A Space* Odyssey.　　In the con:te
 xt of  !Ger]=ma] ny's;@ Kulturfilm,] phen_omenon,@ _^ %W -under der Schöpfung w-as a/ :)mong the%
+^ @greatest achie)?v+.ements of the 1920s. The pro`]ducti*o$$n_- w[as c?onst;?$ru,?)cted, rehearsed, a)-nd shot?_ over% a %period of two -(and a half years, un:d$]`e=r the supervision*, of Hanns Walter Kor^;nblum. The ide\a to ?)/de^scribe the universe and=  _?m
/($an's plac)e in it well suited UF#A's Gr[?o;ssfilm me+?n=t% al^^;ity, one year ]*before the Metropolis c [a`tastr-ophe. Hun(dreds. of skilled craftsmen p*art^icipated i(n^ t[he proje ct, buildi=$ng ^*$pro:ps([ and c (_onstructin(g scale. models drawn b.`y 1
5 specia+/
l effects draug^htsmen, w.hil (e 9/( camerame*n ^ in s:epara?^
te] un\.its worked on th [e^ hi[stor! ical, docu:mentary+], ficti]on, anima[#tion, and s ;cienc= e-ficti,/o*n +!sequenc(es^ . Witho $ut s^(tar r_`oles! ] or eve. :n pr ,)otagonists, the film's p:?lot i^!!/s crow$?.ded wit-[ h metic;$[ulously structured and s%_killfully act?^ed single scene=s! an art=$ful mosa_\ic o![+f sma:=ll vignettes. No less than four credite^]d universit^*y professors e )!n^`\?sured the f, )actu
?!a
l bac
k ^:grou#!nd be$h:;ind t+*he scientific and ;.historical even%$$ts portrayed.+　*+　The,
 f ilm'%;[s s /@ymbo$ l of pr
ogr;ess and the new scientific era i-s a spacecraft, travelling throu \gh th;@e Milky Way,(. making all t/^(he planets and ,=their inspirin,g? wo
%rlds f (:+a[^miliar)%; to/\# us, with the extravaganza of their dist \[+inct i]ve featur!
es. %;%The fil@=/m's: ed\ucatio)
n.@_]al intentio+ns, however,$ become steadily @_\more=]` obscure, humorous,;, o(^r \even cam?:[py as_)? th!%is;*
%popularization project ` proc=/+eeds ;. With the ,e /x^[-cuse %( of present[[@ing t/h]_e e\nd `/o*!!f the w
orld a not/-so%+-new co `$ncept as a ne=w, u($ndeni +-+ably scientific tru th, the #@=film vee !@.rs happily along a new path, displayin\]g deta+$iled :
apoc:alyptic scen==?]es=* ?of t.@he end o^f m@.ankind+. For to^day's a ( udience _=s, :this amazin*g f^il?$m dem^@ons[,trate_!:s how,#_ the universe was comprehen#+ded in% th@;e 1920(,)s=@ , )_an*d how t`hat view was ^sold+# to con temporary audiences.